International Review of African American Art Vol 26
Hampton Academy Museum
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Hampton University is committed to prevention and keeping the campus community safe, informed and healthy. In light of the Coronavirus (COVID-19), effective immediately, all non-essential visitation to campus has been suspended until further notice.
The University Museum and Athenaeum is airtight to the Full general Public at this fourth dimension. Please follow the Hampton University Museum on Facebook, Instagram, Mailchimp for updates, to purchase problems ofThe International Review of African American Art , virtual programming and to visit our new online shop. or. Thank you for your back up.
*The Academy Museum and Archives will be open ONLY for Hampton University faculty, staff and students to visit on Monday – Friday, 9:00 a.m. – 4:00 p.m. by engagement merely. A Hampton University ID will exist required upon entry. We ask that Hampton Academy Instructors schedule an date with the Museum'south Visitation Request Form.
HAMPTON UNIVERSITY MUSEUM'Due south 2021 29TH Annual Holiday & KWANZAA Market place
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OUR MISSION
The purpose of the University Museum is to collect, preserve, report, exhibit, and interpret artifacts and works of traditional fine art which illustrate the cultures, heritages and histories of African, Native American, Oceanic and Asian peoples, every bit well as the works of contemporary African American, African and American Indian artists and iii-dimensional objects which relate to the history and significance of Hampton University.
Access IS FREE AND OPEN TO THE PUBLIC
COLLECTIONS
The Museum is composed of the earth's first collection of African American fine fine art, which began with the 1894 acquisition of two paintings by Henry O. Tanner. One of these paintings, The Banjo Lesson, is acknowledged as the most admired work by an African American artist. Hampton was the recipient of a gift of hundreds of artworks from the Harmon Foundation in 1967, which includes representation of most of the of import artists from the Harlem Renaissance into the early 1960s. The museum also houses the Countee and Ida Cullen Art Collection; a grouping of 29 works of art acquired from the widow of the famed Harlem Renaissance poet. Amid the well-nigh outstanding holdings are works by three important figures continued to the visual arts at Hampton: John T. Biggers, Elizabeth Catlett, and Samella Due south. Lewis. In addition to the African American Fine Art Collection, the Museum features African, Native American, and the Hampton History Galleries as permanent exhibitions. To learn more, please see our Collection History!
THE BANJO LESSON
The Banjo Lesson is Tanner's most famous painting. Information technology reflects Tanner'south conscious commitment to depicting African American in a compassionate style. A favorite of visitors to the Museum today, the painting was also well received in its fourth dimension. In 1894, The Banjo Lesson was admitted into the Paris Salon, the near prestigious annual juried exhibition in the city. Robert C. Ogden, a philanthropist and chair of the then Hampton Normal and Agricultural Institute'south Board of Trustees, bought the painting and donated it to Hampton in Nov of 1894. The Banjo Lesson and another Tanner piece, The Panthera leo's Head (also owned past the Hampton University Museum), represent the offset works of African Americans art to be nerveless by an American establishment and form the cornerstone of Hampton'due south outstanding fine arts collection.
The Banjo Lesson, 1893 Oil on canvass Souvenir of Robert C. Ogden
Current
December ane, 2021
Electric current
November 8, 2021
Electric current
September 13, 2021
INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART JOURNAL
The International Review of African American Art (IRAAA) is the But periodical spanning the history of African American art and covering contemporary fine art, design and visual culture! Cross-disciplinary with a nexus in African American fine art, IRAAA deepens insight into numerous things while offer visual pleasance and stimulation. It is a window into all realms, real and imaginary; nowadays, past and futurity. Art IS ALL!
IRAAA was formally known as Black Art: An International Quarterly and made its debut in 1976. It was published past Samella Lewis and two associates. It included an commodity on Elizabeth Catlett with a four-folio color pull-out reproduction of a Catlett print titled Boys. The involvement of Lewis and Catlett in this important venture was the flowering of a long clan. Lewis, the first African American woman to earn a PH.D. in art history (Ohio Land, 1951), had been encouraged to pursue a career in art past Catlett. Catlett was the first higher art teacher of Luis and became a lifelong friend. Black Art:An International Quarterly primarily covered the visual expression of blackness people in the United States and Africa.
In 1984, Black Fine art became The International Review of African American Art (IRAAA), as the publication was broadening its focus to include the visual art of African-descended people throughout the Americas. One of the special issues produced during this period was "Bahia: The Power of Tradition." Its focus was on the visual arts of African-descended people in Brazil. In 1992, the operations of the IRAAA were transferred to Hampton Academy, Samella Lewis' undergraduate alma mater.
For additional Information visit the FAQ folio
Contact:
Deanna Brooks, Assistant Editor of IRAAA
to subscribe or purchase issues
757.727.5313
HAMPTON UNIVERSITY Athenaeum
The University Archives officially opened its doors in 1972. The importance of establishing an archives was to gear up and make bachelor for research the diverse papers and the impressive number of records documenting the history of Hampton Institute, at present Hampton University. To acquire more, please visit our University Archives!
Source: https://wp.hamptonu.edu/msm/
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