How Was Baroque Music Similar to Baroque Art and Architecture

St. Paul's Cathedral, London (1710 AD) © www.churchgoers.com

The Bizarre menstruum began toward the end of the 16th century, reached into the middle of the 18th century, and is more often than not seen as the art of the Counter-Reformation. With the Reformation, the Catholic Church had lost a very large number of its believers and needed to reform itself. In 1539, Pope Paul III gave permission to St. Ignatius of Loyola to form the Order of the Society of Jesus (Jesuit Club), and in 1548 canonical Loyola'south Spiritual Exercises, which became the basis for the reform in the Catholic Church building and which affected all of the arts.

The Wilten Basilica in Innsbruck ©thisisbossi/Motion picture

In architecture, the basilica course constitute a revival, bringing priests and public closer together. The grade placed the pulpit inside the rotunda rather than separating the priest, choir and altar from the nave and the public. In a similar way, Baroque Period composers changed their relationship to the building and the congregation.

Portrait of Farinelli by Bartolomeo Nazari (1734)
© Wikipedia

In Baroque music, painting and literature a 'pathos' begins to make itself felt, i.e. spiritual and psychic tendencies that disturb the harmonic equilibrium and move we had seen in Renaissance art are now increasingly contrasted with impassioned excitement and measured circumspection. The inclination was to withdraw from the 'realism' of life, seeking mystic enchantment in the life beyond, moving toward the marvelous, the stupendous, and the supernatural. Emphasis was placed on the heroic and the violent, the erotic and the sensuous. Baroque composers took up new themes. The opera scene becomes illusion, as do the painted heavens of Baroque churches. The art of the castrati singers, such as Farinelli, who sing their arias with extreme decoration, expressing despair, fury and revenge, pity and bliss, never sung twice the aforementioned way, became popular.

The Lute Role player by Caravaggio © Wikipedia

The element of surprise in the performances — soaring trumpets in the theatre-like atmosphere of the heavily busy Bizarre churches, the painted heavens, the contorted, convex and concave movements of painted saints and angels (besides repeated in the architectural details of these churches), the ornate vestments of priests, the scented air of incense, the light cascading from the dome — became 'Jesuit theatre, playing upon and touching all of the senses.'

Bizarre painting as well uses a unlike, dynamic concept of light, using a source emanating from outside the painting'due south frame, which both revealed and obfuscated the subject area, creating both focus and tension in the piece of work — such every bit the portrait of Rembrandt and Caravaggio, likewise as the works of other painters of the period such as Georges de la Tour and Vermeer.

J.S. Bach and Handel © CMUSE

The classical proportions of the Renaissance, the persistence in its own laws, gave way to a disturbance, a disintegration, in the Baroque era. Baroque music, especially in that of the greatest of the era'southward composers, Johann Sebastian Bach, the new arts of sonority and colour come into beingness. A polarity of voices develops, where the principal importance and tension falls upon the outer voices (soprano and bass: 'basso ostinato') with the heart voices filling in. The outer voices provide the framework of the composition and the chord becomes the building rock in its own correct, and the 'basso continuo' the 'fundament'. The fusing of such cardinal bass practice with counter-indicate becomes the foundation for the fugue technique for Bach and Händel. Baroque menses composers bankrupt with the past and brought a new emotion to the music.

In conclusion, we can consider the art of the Baroque a 'Gesamtkunstwerk' (a complete or self-contained work of art), where opera, theatre, architecture of both buildings and gardens, painting and sculpture represent the final and highly refined crystallization of an aristocratic life style, and the credo of an accented monarchy in the sunset of its beingness.

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Source: https://interlude.hk/the-age-of-the-baroque-in-music-and-the-arts/